Marion visits her daughter Céline to the hospital who is suffering from an incurable brain tumor. They have not seen each other for a long time. Paul, the father, is at Céline’s bedside. He is the one taking care of the child. During a short absence of Paul, Marion will walk her daughter around the hospital. This evasion will drive them until the end of the day.
Read MoreIMPARFAIT DU SUBJECTIF
Louis meets up his friend Romain at a party where he knows no one else. He rapidly ends-up alone. He then flashes on a girl, Alice. He will have to conquer his shyness in order to seduce her but she only wishes one thing: getting out of this place.
Read MoreLE PÈRE, LE FILS… ET ANNA
Anna and her boyfriend Tom are invited by his father for dinner. The atmosphere is tense between the father and the son. Suddenly, exasperated by the old man, Tom leaves the room. Alone with Anna, the Father takes the opportunity to confide.
Read MoreDAWNING
Mark, his girlfriend Ciara, Sean, and Alex are good friends enjoying a heavy night out together when suddenly Mark wakes up alone at home with no recollection of how he got there. With injuries to his body, his girlfriend missing, and a hangover prompting all kinds of flashbacks, Mark struggles toput the pieces of the night before together….
Read MoreDERRIÈRE LA TÊTE
Patrick, a young proofreader at a publishing house, is told that the migraines he suffers from are caused by a 6,35-mm bullet lodging in his neck. But there is no visible scar, and so he sets out to discover the origin of his pain…
Read MoreEN COMPAGNIE DE LA POUSSIÈRE
Au sortir de l’adolescence, François aime Michel. Michel, lui, ne sait pas. L’arrivée d’Alice risque de faire voler en éclats cet étrange équilibre. Etudiant en médecine, Michel se retrouve face à un cadavre qui lui rappelle son ami.
Read MoreMONDO VENEZIANO, High Noon in the Sinking City
For Luxembourg’s participation in the 51st edition of the Venice Biennale, artist and filmmaker Antoine Prum wrote and directed a medium length film (32’00’’) shot in High Definition (HD) technology and transferred to 35mm film by PTD. Mondo Veneziano, High Noon in the Sinking City addresses a wide variety of theoretical discourses currently on the contemporary art agenda, confronting them with a series of unexpected and spectacular events. Cast in an abandoned Venice, Mondo Veneziano narrates a meeting of four protagonists, representative of key players in the art world, who appear to conduct a complex theoretical debate. But their soliloquious confrontation — an insidious patchwork of quotations from recent specialist literature, paraphrasing the widely used “post-modern” technique of sampling — is interrupted by a string of bloody killings, largely inspired by common cinema genres such as gore or splatter movies. The Venice that serves as a backdrop to the characters’ intellectual and physical joust is in reality a large-scale film set located in a southern town in Luxembourg, which has served in numerous feature films. Mondo Veneziano does not attempt to conceal the backlot; rather, the city itself becomes something of a quotation, much like the protagonists, who are depicted as actors rehearsing their comic-style figures for a final showdown. Alternating sinuous discursive phases with resolute physical action, Mondo Veneziano is a part serious, part caustic comment on a professional milieu.
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