The Prophet, a film directed and composed by BAFTA-nominated Gary Tarn (Black Sun, 2005) takes Kahlil Gibran’s classic novel and spins it into a cinematic exploration of love, life and loss. Shot on his solo travels to Serbia, Lebanon, New York, Milan and London with a 16mm and HD camera Tarn filmed people, situations and places that resonate with, rather than illustrate, the theme of Gibran’s text. The result is a film featuring images from around the globe that act as a visual equivalent to Gibran’s written word and create a common, contemporary thread between each culture. The Prophet is visually striking, finding beauty in the everyday – moviegoers who like a film that makes them think will relish its beautifully evocative nature. And, in a stroke of exquisite taste, the film is narrated by British actress Thandie Newton who delivers Gibran’s captivating prose with an intimate reading, woven into a score for orchestra, guitar, cello and synthesiser. First published in 1923, The Prophet has sold millions of copies worldwide and was the bible of the 60’s counter-culture, famous for its main character’s simple, inspiring answers to the questions with which all of us grapple. Its timeless message continues to be read and to inspire people around the world today.
Read MoreLE PÈRE, LE FILS… ET ANNA
Anna and her boyfriend Tom are invited by his father for dinner. The atmosphere is tense between the father and the son. Suddenly, exasperated by the old man, Tom leaves the room. Alone with Anna, the Father takes the opportunity to confide.
Read MoreANDUNI, Fremde Heimat
What is home? Is it a place? The place of mother tongue and tradition? The place of selfrealisation or of the family? ANDUNI – Where are we goin’ then? Always home! When her father dies, Belinda is drawn more and more into the burlesque world of her Armenian family, that she never really cared about earlier. But the more comfortable she feels here, the more she estranges from her college life and her boyfriend Manuel. Belinda makes herself onto a journey between safety and instability, freedom and narrowness. A search fo a home, with half of her familiy participating- and also Manuel.
Read MoreSCHOCKELA, KNÄTSCHGUMMI, A BRONG PUPPELCHER
On September 10th, 1944, the first Americans cross the Luxembourgish border. The long-awaited liberators are here! Their pockets filled with chocolate, chewing gum and cigarettes, their hearts filled with weariness and apprehension, they soon find themselves overwhelmed by the gratitude of the Luxembourgish people. Friendships are born, affairs, even lasting relationships. The number of little white and black babies of unknown fathers that are born in the next few months in Luxembourg, remains unknown. Likewise, the hundreds of women who follow the GIs across the pond have never been properly registered. For more than a year Andy Bausch researches and works on the documentary Chocolate, Chewing Gum & Brown Babies, interviewing Luxembourgers and American veterans, some of whom have come to visit, others who never left Luxembourg after landing here. In New York, Bausch interviews 84- year young Tony Vaccaro, the legendary photographer who shot the famous pictures that will always keep that winter of ’44 alive in our minds. But also the children of the GIs speak out, as well as the women who wanted to, and who agreed to tell all in front of the camera. It won’t be long, however, before the regular commemorations, the festivities and the visits of the American veterans will cease. The veterans are either too old to travel, or they are no longer with us. And thus a part of our past disappears. Chocolate, Chewing Gum & Brown Babies tells the stories of the liberation, of Hemingway, Marlene Dietrich and Eisenhower, of Saint Nick, of broken hearts, pregnant bellies, inflatable tanks and nicotine poisoning.
Read MoreTROUBLE NO MORE
His name was Johnny Chicago. He was loved and feared and mad crazy. And then the cops went and fucking killed him. Determined to pay hommage to his dead best friend, Chuck Moreno persuades Johnnys brother Ray to help him honour Johnnys last wish. But as anybody knows, family is trouble, especailly when Johnnys wife is against the idea and his daughter Tess has had the gloriously dumb idea to join the cops. The end of the Bausch/van Werveke trilogy includes madness, wild chases and a transatlantic finale: more trouble or Trouble No More?
Read MoreNOUS TROIS
It is in the year 1972, Sebastien aged 10 and a half is a sensitive child with an over-active imagination who is highly aware of the frustrations and interior solitude his love-deprived mother suffers. One evening while reading a magazine, he is stuck by a revelation, a flash of lightening – Queen Elizabeth II. From that day onwards, his whole life changes. He creates an imaginary world in which hisq mother becomes «The Queen» and wonderful, magnificient and totally happy.
Read MoreDER FÜRSORGER
Social worker Hans-Peter Stadler, compulsively anxious to please is short of money and resorts to a white lie to get some quick cash. At first his success appears to justify his actions, but actually it marks the beginning of the end.
Read MorePIPÌ, PUPÙ & ROSMARY
Our three little friends, Pipì, Pupù and Rosmary, travel throughout the world in search of Mapà. Pipì is a funny racoon, Pupù a joyful little bird, and Rosmary a very sensible rabbit.
Read MoreRÄUBERINNEN
Set some time in the undeterminable past: Emily is sent to work and live in the Sovereign’s castle. She manages to escape into the woods, where she meets some lively hookers. Together they become «Robber Girls» taking a stand and fighting the patriarchy. Mix Robin Hood with voluptous burlesque pleasure, add a colourful cast of grotesque deviants, and you get a lusciously gripping coming-of-age fable in a post-feminist society.
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